If you lived through the nineties, you had to endure lots of terrible trends in music. If you were lucky though, you followed indie rock and emo close enough to not have to sit through the waves of grunge bands that littered the airwaves in the wake of Nirvana. There haven’t been a ton of...More Please
Twenty years ago, if you listened to alternative rock, then you more than likely knew the name Juliana Hatfield. Either by her own merits or through some sort of fandom through The Lemonheads, Hatfield quickly became a fixture of the decade while releasing some of the better albums of the time. So when she dropped...More Please
You may have never heard of Amsterdam’s Pip Blom, but her music has grown by leaps in bounds in just a couple of years. In a short time frame she’s honed a set of songs that touch on a mix of indie rock, post-punk, and straight rock with ease. On their latest E.P. Paycheck, the...More Please
The indie rock that Birmingham’s JAWS makes is full of heavy drums and dream pop touches that you can’t help but fall for. While the band has been around since 2012, their more recent stream of work has grown the trio by leaps and bounds. With their new album The Ceiling due on April 5,...More Please
Dayton, Ohio rockers This Pine Box may be new to the scene, but they play with the polish of a band that’s been creating music together for years. Recorded by John Curley of The Afghan Whigs at his Ultrasuede Studios in Cincinnati, the band’s debut album The Way Out, dropping on vinyl on January 5...More Please
New Zealand is known for so many things, and thanks to three piece The Beths, you can add indie rock perfection. on their latest full length Future Me Hates Me, they craft a sound that’s part indie fuzz, part alterna rock and indie pop that’s hard not to love. Now with a new run of...More Please
If you’ve ever met someone from Athens, Georgia then you’ve met one of the kindest people in the South. There’s something genuine and relaxed about everyone who claims the city as their home. When we first heard the album Nostalgia Porn by Drew Beskin, we realized that of course he’s an Athens resident. There’s a...More Please
For a minute now, we’ve been all over the music of Brooklyn’s Steve Gunn. With his last solo release Eyes On The Lines, he had us from the opening notes. Gunn isn’t typical, which may be what makes him so interesting. His music is like if John Fahey was channeling Magazine songs in his breathy...More Please
For a while now, we’ve been fans of Philadelphia’s Hop Along. Their sound has always bee a bit off-center, which is why we love them so. When bands are often different from the herd, their music doesn’t always hold up. However after eight months with their latest release, this year’s Bark Your Head Off, Dog,...More Please
Formerly known as Holy Ghost Tent Revival, North Carolina band Moves is shaking things up with both a new name and an inspired new sound. On Moves’ upcoming self-titled album, out December 14 via Soul Step Records, the group has bid farewell to the banjo and its bluegrass/ragtime infused sound, and transformed into a dazzling,...More Please
It seems that Guided By Voices is going to be like a public utility, in that they’ll always be around. Easily the most prolific band to come out in the past thirty years, Robert Pollard is ready to drop another new record, and from what we’ve heard, it’s pretty darn great. Their latest single, “My...More Please
Very few albums can last much further than their release time frame. It’s a factor that makes us wonder why we write about them at all sometimes, only because what moves you today may not move you tomorrow, and there’s so much music coming at you, that some records feel stale a month after they’ve...More Please
Superchunk seem to have covered their bases in 2018. A politically charged full length with What a Time to Be Alive, a solid tour, and now the third in a rare and limited 7″ series for charity. Like the 7 inch singles for “I Got Cut” for Planned Parenthood South Atlantic and “Break The Glass”...More Please
There was a time when bands weren’t attempting to drop an album full of potential singles, when bands stood up against their oppressors, and when artistry was about the way you crafted a song and not how many followers you had on social media. For about eight years, Houston’s The Wheel Workers have clawed their...More Please
Indie rock seems to be growing as a genre daily. There’s seemingly a new mix of bands entering the world of what gets called indie rock all the time, which has made the genre grow in ways larger than anyone could ever imagine. There’s a couple of indie rock bands that have entered the world...More Please
If you’re making actual indie rock-you know, the type of an independent label-not what marketing from a major label says, then it had better be catchy. We’ve had Houston’s Rose Ette on our radar for a good while now, and their latest release Ignore The Feeling has us glad they were. Mixing bedroom pop with...More Please
You more than likely don’t know of the Los Angeles four piece Young Jesus, but that’s understandable in today’s crowded music world. The easiest way to describe what they do is to call it art rock-but in so many ways, their music is much more than that simple moniker. Crazed directions and rhythm changes fall...More Please
A reference to BBC Radio 1 DJ John Peel, Brooklyn-based musician Joe Stevens conjures abstract memories of the past, reminiscent of lo-fi and underground sounds of the 90’s in his latest project for Peel Dream Magazine. Written and recorded by Stevens over a period of four weeks last fall in New York, his debut album...More Please
There’s something that comes from the South, a warmth where people say hello to strangers, where friends are typically folksy, and where artists see one another like anomalies. Lucy Dacus offers up that Southern charm all over her latest release, Historian. Full of gorgeous notes and vocals that could heat up any icy Winter evening,...More Please
When you hear Bryan’s LUCA, you’ll realize real quick that they aren’t what most people would think of what comes from the home of the Texas A&M University, but rather an indie band that should remind you of multiple bands, including Manchester Orchestra and Minus the Bear. On their latest release You’ll Never Be at...More Please